This groundbreaking book argues that in the Qin-Han period, there arose in China a regime of textual authority-one that overlapped but did not coincide with imperial authority. Drawing on a wide range of research and theory, Connery makes an original contribution to the analysis of early imperial elite culture, particularly in the fields of literature and linguistics, intellect...(展开全部)

This book is a history of the development of mathematical astronomy in China, from the late third century BCE, to the early 3rd century CE - a period often referred to as 'early imperial China'. It narrates the changes in ways of understanding the movements of the heavens and the heavenly bodies that took place during those four and a half centuries, and tells the stories of th...(展开全部)

This book examines the widespread practice of self-publishing by writers in late imperial China, focusing on the relationships between manuscript tradition and print convention, peer patronage and popular fame, and gift exchange and commercial transactions in textual production and circulation. Combining approaches from various disciplines, such as history of the book, literary...(展开全部)

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. ...(展开全部)

The disappearance of China’s naturally occurring forests is one of the most significant environmental shifts in the country’s history, one often blamed on imperial demand for lumber. China’s early modern forest history is typically viewed as a centuries-long process of environmental decline, culminating in a nineteenth-century social and ecological crisis. Pushing back against ...(展开全部)

Exploring the reasons for a flurry of geographical works in the Ottoman Empire in the sixteenth century, this study analyzes how cartographers, travellers, astrologers, historians and naval captains promoted their vision of the world and the centrality of the Ottoman Empire in it. It proposes a new case study for the interconnections among empires in the period, demonstrating h...(展开全部)

胡司德（Roel Sterckx），剑桥大学“中国历史、科学与文明”李约瑟讲座教授，克莱尔学院院士。著作有《早期中国食物、祭品与圣贤》（Food, Sacrifice, and Sagehood in Early China），纽约剑桥大学出版社（New York: Cambridge University Press）2011年出版；主编《论鼎与品味：古代中国宗教与饮食文化》（Of Tripod and Palate: Food, Politics and Religion in Traditional China），纽约帕尔格雷夫·麦克米兰出版社（New York: Palgrave MacMillan）2005年出版。撰有古代中国文化史及思想、宗教等方面论文及专著章节多种。2013年当选为英国国家学术院院士。

Summary Read First Chapter image missing Explores early Chinese beliefs regarding the animal world and how these informed ideals of sagehood and political authority. Exploring the cultural perception of animals in early Chinese thought, this careful reading of Warring States and Han dynasty writings analyzes how views of animals were linked to human self perception and investig...(展开全部)

Early China is best known for the dazzling material artifacts it has left behind. These terracotta figures, gilt-bronze lamps, and other material remnants of the Chinese past unearthed by archaeological excavations are often viewed without regard to the social context of their creation, yet they were made by individuals who contributed greatly to the foundations of early Chines...(展开全部)

本书是研究中国汉代手工艺匠人的学术著作，书中讲到的早期中国，指的是我国历史上的汉朝。 早期中国最为著名的是流传下来的璀璨夺目的手工艺品。这些兵马俑、镀金青铜灯及其他中国发掘出来的古代艺术品，常常被人认为同创造它们的社会经济背景无关联，然而，这些艺术品是由对早期中国的社会和经济做出重大贡献的人创造出来的。在本书中，作者把历史分析、碑文分析和考古分析结合起来，对中国流金溢彩的手工艺品和碑刻及其创作者，重新进行了深入地研究。作者认为，对出土文物的研究比发掘更难。 本书首次叙述了一部深刻的中国早期手工艺匠人的社会史。手工匠人是怎么生活的? 怎么学徒的？手艺工匠是自由人吗？手工艺品是谁做的？他/她为什么做这个艺术品？是怎么做出来的？怎么卖掉的或者怎么辗转落入他人之手的？在这富于吸引力和启发性的分析中，作者从多方面探讨了这些手工艺匠人的生活和劳作生涯。首先，分析...(展开全部)